Why knight and day is called that

But, knowing that she wasn't ready to let go of Roy, June took the initiative to ensure she wouldn't have to. Like June, we do not have to let life force us into a rut. We have the intelligence and skills to go places, but first we need to make ourselves get up.

On those rare occasions when — as with the beginning of June's adventures — the opportunity drops into our laps, our response could have lasting effects. But it may be we need to respond quickly before the opportunity is lost, either permanently or until we make the effort to reclaim it.

The Bible explains that there is a particular opportunity that is offered to every single living person. It tells us that because we have all made mistakes and done wrong in our lives, we are separated from God, who abhors all evil. All the wrong we've done deserves punishment, and since none of us can fully pay for our mistakes in this life, he has offered his son Jesus in our place. He offers each of us the opportunity to accept Jesus's sacrifice as the only way to ensure that we can be with him for eternity.

But the offer only lasts as long as we are alive on earth. Once we die it is too late to take him up on it. Frequently people believe that they can live how they want and repent on their deathbed. But life is uncertain and we never know what the next moment might hold.

But what if a character was wrong? What if the protagonist figures out what they have just gotten themselves into only to then be proven completely incorrect in their assumption? Imagine this plot synopsis for a film: June Havens Cameron Diaz is a beautiful woman who rebuilds classic cars for a living. Unfortunately, she always plays her life safe, never doing any of the exciting things she has dreamed of doing, like traveling to exotic lands … or falling in love. Is this fate bringing them together?

Even the cast fits, as Diaz and Cruise would be perfect for this sort of film. Yes it has romantic undertones, but really the action is the skeleton and the comedy is the flesh. I guess the romance is the blood, if that metaphor makes sense at all.

June is on a strangely empty plane, sitting near Roy, of whom she is clearly enamored. She starts talking about all of the places she wants to someday visit, making it clear her character flaw of cautiousness a classic rom-com protagonist flaw.

And she wants Roy. What we do know is that this movie is no romantic comedy. While chatting with Roy on the plane, June excuses herself to go to the bathroom. The scene that follows features some incredibly clever cross-cutting between two very different scenes. June Diaz is safely at home after a whirlwind tour of the world and she makes a phone call declaring that she has the Zephyr. In fact, she doesn't.

She only says this because getting captured is the only way she can find Roy, whom she misses, and will almost certainly rescue her. Also, Roy has a habit of drugging June when she can't handle a situation. When he runs out of drugs, he uses a Vulcan nerve pinch to knock her out for a few hours. When did Star Trek fiction seep so deeply into the fabric of our lives that it's accepted as reality? Q: Is there a scene in Knight and Day that rivals the one where Cruise dances around in his underwear?

What movie was that? A: I believe the dancing-in-his-underwear scene was also in Valkyrie. There is a scene of a shirtless Cruise on a small tropical island that causes painful involuntary flashbacks of Cocktail.

A: I've never seen Killers because it wasn't screened in advance. But, yes. Also, I look forward to the day when these films are packaged together as a "Three Pack! Q: If you wanted to be blurbed during the television commercials for Knight and Day, what would be your quote? Feck explains to Roy that the battery is actually unstable.

As they watch the plane climb, the Zephyr explodes, killing Fitz. Roy collapses from his wound, and June accompanies him on the flight-for-life. He wakes up in a Washington D.

She thanks him for "cleaning house" and apologizes for trusting the wrong man. Roy asks about June, and Isabel explains that they sent her home with the understanding that she and Roy are too different to spend their lives together and that Roy is valuable to the agency only as long as he stays focused.

She also tells him that he'll be transferred tomorrow to a secure facility for his safety, and then she leaves. As Roy lies on his bed, pondering his circumstances, a nurse comes into the room with his medication, which he drinks.

He suddenly begins to feel whoozy and asks the nurse what she gave him. Roy sees that it is June before he begins to pass out. June wheels him out of the hospital on a gurney and into her waiting GTO. When he wakes up, Roy finds himself dressed in shorts, on a beach with June, and heading for Cape Horn.

Cape Horn is at the southernmost tip of South America. It forms the northern boundary of the Drake Passage, a waterway between Chile and Antarctica, once the only way ships could get from the Atlantic side of the Americas to the Pacific side and vice versa until the opening of the Panama Canal in